SINGING
AND
DANCING
WITH
THE
MUSICALE
OF
CREATION
By
John
English, SJ
(1)
(1924
- 2004 R.I.P.)
The dance
or the grand musicale of the universe
expressing the
life
of the Trinity.
What a
performance
for humanity!
click
on photo to enlarge
click
on photo to enlarge
The
Song And Dance Of The Universe
The above photograph recalls what a magnificent sight are the heavens
on
a clear night! The myriads of planets, stars, and galaxies, as they
move
across the heavens before us! Psalmists, troubadours, poets, have all
expressed
amazement at the sight. The photo is an example of the magnificence,
size,
etc. of the universe. True scientists (as opposed to technicians) and
true
theologians (as opposed to catechists) in spite of their differences
are
united in awe and wonder before this sight as they seek to know and
understand
the heavens. We read in Psalm 8: "When I look at the heavens, the work
of your fingers, the moon and the stars that you have established; what
are humans that you are mindful of them, mortals that you should care
for
them. You have made them little less than angels, and crowned them with
glory and honour." (Ps 8:3-5)(2)
Psalm139 suggests that God (Trinity) is in a dance with creation: "Even
there your hand shall lead me, and your right shall hold me fast." (Ps
139:10) Gerald Manley Hopkins, the Jesuit poet of the 19th
century
also was captivated by the sight of the heavens as he writes in, That
Nature is a Heraclitean Fire and the Comfort of the Resurrection,
"Cloud-puffball, torn tufts, tossed pillows flaunt for, then chevy on
an
air-built thoroughfare: heaven-roysterers, in gay-gangs they throng;
they
glitter in marches."(3) Scientists have
made it possible for us to view the heavens in a new and fascinating
way.
Time and time again we are presented with images from telescopes and
space
stations of the circling of planets and gases in the universe.
Astronomers
tell us that the circling of gases eventually leads to the creation of
new stars and planets. They tell us that the universe is constantly
expanding.
We think of the scripture text: "I make all things new" (Rev 21:5) This
activity is like a choral dance. Scientists (mathematicians) are caught
up in this marvel as they study motion, sound and light in the movement
of the stars, the variations of light and sound coming from beyond our
earth.
The great spiritual writer, Thomas Merton challenges us: "To hear His
call
and follow Him in His mysterious, cosmic dance ...when we see the
migrating
birds ... when we see children in a moment when they are really
children
... For the world and time are the dance of the Lord in emptiness. The
silence of the spheres is the music of a wedding feast. ...Yet the fact
remains that we are invited to forget ourselves on purpose, cast our
awful
solemnity to the winds and join in the general dance.(4)
Theologians speak of a dance in the Trinity. We find the following
words
in a discussion about love in the New Dictionary of Theology:
"...the love which is God emerged more clearly as the trinity of
Father,
Son and Spirit engaged in
Perichoresis, a permanent dance
of love into which human beings are invited and empowered to join. The
love which is God has been made available to all willing to join the
dance,
willing to draw others into the dance, willing to make place for others
in the dance."(5) John O'Donnell
develops the image of
perichoresis in a book on the Trinity:
"The concept of the Trinitarian God who is love implies the eternal
newness
according to which the eternal Lord is always his own future. God and
love
never grow old. Their being remains that of coming."(6)
Both scientists and theologians would insist that the dance is always
new.
The perichoresis in the Trinity is an image of the
dynamic
activity within the Trinity that overflows into the dance of the
heavens,
a display that generates wonder and awe.
The above photograph of the heavens invites scientists and theologians
to consider our existence in ever new and expanding ways. The images,
sounds
and movements of our universe attract us to wonder, amazement, dance
and
song. These interior and exterior delights are the common ground of
scientist
and theologians.
The following article can be used in three ways. The first as stated in
Endnote
1; is to help scientists and theologians with a dialogue that will
deal with the problem that results from philosophical differences
regarding
spirit and matter. A second use is to assist the reader to gain a
heightened
sense of one's own creaturehood and a third, is to govern one's life
with
this awareness.
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--
Endnotes --
1.
Two
reasons have led me to write this article. The first is the efforts of
Michael Buckley, SJ, to address the causes of atheism in today's
culture.
He developed the reason in various writings in Theological
Studies.
The
second
reason is my discussions with two professional biologists, Lois and
Kuruvila
Zachariah of Conestoga College and Waterloo University in Waterloo,
Canada.
They introduced me to the writings of Rupert Sheldrake and other
scientists
with a post-modern bent. Together we have composed
Twenty-Four Spiritual
Exercises for the New Story of Universal Communion. These are
published
by Progressio, Rome, 2003.
2.
Scriptural references are from the New Revised Standard Version
Bible,
Thomas Nelson, Nashville, Tennessee, 1990.
3.
Hopkins in The Penguin Poets, Gerard Manley Hopkins:
Penguin
Books, 1961. Pp. 65-66.
4.
Merton, Thomas, OCSO,
New Seeds of Contemplation, Penguin
Books (New Directions Paperback), NY. 1972. pp 296-7.
5.
See the article "Love" in the New Dictionary of Theology,
ed. ... Collegville, MN, 1993. P.
6.
Jungel, Eberhard: God as the Mystery of the World,
Edinburgh,
T. Clark, 1983, pp.24ff, quoted by O'Donnell, John J.:The Mystery
of the Triune God, Sheed and Ward, London, 2001. p. 170.
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